If you’re like me, you’re always wondering which reverb(s) and delay(s) you should be using on your mix. There are so many options. So many that “look cool.” So many that people have told you “sound the best.” So which one is the best?
Well the good news is, you can’t mess up. By using your ears, you’re going to be able to tell if something is working or not. So rule out the scare/mess up factor, because that’s bogus.
The best way I was able to figure out reverb and delay was to try one at a time. It’s kind of similar to what I say about EQ and compression (which is a huge time saver, just picking one thing), it’s more about learning the gear, which results in a big problem I have with plugins. The reason being, if you buy a $1500 outboard compressor, you’re going to run everything through that. You spent 1500 flipping bucks on that thing, you’re going to learn it. But when you buy 200 plugins for $500,...
If you’ve been following me for a while, you know I’m always talking about ways to save time in the studio. It’s all about finding the best and quickest way to get something done, whether it’s utilizing your plugin workflow or limiting your options. And that’s what I want to talk about today. Here are 2 painfully easy and free ways to limit your options that will save you a ton of time in the studio.
Pick one EQ plugin to use on a song & move on. ONE. WAY too much time is wasted debating which EQ would suit best. I don’t care if it’s the latest API or Neve modeled whatever with the saturation knob that takes it to the next level… I don’t care. Pick one. And if it is the Neve or API, good on you. That works perfect, but pick and commit.
Pick one compressor plugin and commit. MU, 2A, VCA, 76, whatever your flavor, in the end it doesn’t matter. I get that compressors...
An easy way to ruin a mix is by distorting your plugins. Yes, your software plugins can distort just like analog gear.
A lot of plugins have lights or other ways of letting you know that your input is clipping. If you’re not paying attention you can end up unintentionally clipping your plugins and over time it can add an unpleasant distortion to your mix.
However, there are some plugins (analog modeled) that can add desired saturation. A good example is tape saturation. But there's a difference between adding saturation and clipping.
Saturation and distortion are things that you can use to help enhance your mix. Clipping is unpleasant and distracting. It often comes across, even if you intentionally do it, as an accident.
I mixed an album for a guy once. He was using Logic X and I was too so I thought the job would be a breeze because I could just work in his original project. It was a nightmare. He was clipping on EVERY channel, EVERY bus, EVERY plugin. And...
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